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Canon EOS Rebel SL1 18.0 MP CMOS Digital SLR with EF-S 18-55mm IS STM Lens

Canon EOS Rebel SL1 18.0 MP CMOS Digital SLR with EF-S 18-55mm IS STM Lens

Ignite Your Imagination

EOS Rebel SL1

As the world’s smallest and lightest digital SLR*, the new EOS Rebel SL1 is small in size but enormous in performance. With a newly-designed Canon 18.0 Megapixel CMOS (APS-C) sensor and speedy Canon DIGIC 5 Image Processor, it delivers images of extraordinary quality – ideal for those stepping up from a smartphone or compact camera. An impressive ISO range of 100–12800 (expandable to H: 25600) for stills and 100–6400 (expandable to H: 12800) for video plus up to 4.0 fps continuous shooting make this camera the go-to for any photo opportunity, even in dim lighting or when capturing fast action subjects. And Hybrid CMOS AF II delivers accurate AF tracking during Live View shooting, helping ensure your photos and movies are crisp and clear. The EOS Rebel SL1 makes amazing movies with Canon EOS Full HD Movie Mode with Movie Servo AF, working in concert with Canon STM lenses for smooth and quiet continuous AF. In addition to its Optical Viewfinder, the EOS Rebel SL1 has a bright, wide Touch Screen 3.0″ Clear View LCD monitor II, perfect for viewing a number of special scene modes and Creative Filters available in real-time display. Here is the DSLR you’ll want to bring with you everyday and ignite your imagination!

* Among digital SLR cameras that use APS-C size equivalent sensors. As of March 1, 2013, based on Canon’s research.

Amazing Capture and Processing Power, Astonishingly Compact.

EOS Rebel SL1
World’s smallest and lightest digital SLR*

For ultra portability with a minimal footprint, the EOS Rebel SL1 is the world’s smallest and lightest digital SLR*. Weighing in at approximately 13 ounces, the EOS Rebel SL1’s astonishingly compact size does not compromise its excellent performance as a member of the Canon EOS family: it features an 18.0 Megapixel CMOS (APS-C) sensor, the speedy DIGIC 5 Image Processor, a wide ISO range for both stills and video, and advanced AF performance. Designed for entry-level DSLR users, the EOS Rebel SL1 ensures performance and operation while still remaining compact.

18.0 Megapixel CMOS (APS-C) sensor

The EOS Rebel SL1 features a newly-developed Canon 18.0 Megapixel CMOS (Complementary Metal Oxide Semiconductor) sensor in the world’s smallest and lightest digital SLR*. Perfect for enlargements or for cropping detailed portions of the composition, the camera’s sensor captures images with exceptional clarity and tonal range. This first-class sensor features many of the same technologies used by professional Canon cameras to maximize each pixel’s light-gathering efficiency and has center pixels that aid in the EOS Rebel SL1’s accurate AF performance. This APS-C size sensor creates an effective 1.6x field of view (compared to 35mm format).

ISO 100–12800 (expandable to H: 25600) for stills; ISO 100–6400 (expandable to H: 12800) for videos

Thanks to its DIGIC 5 Image Processor, the EOS Rebel SL1 features an ISO range of ISO 100–12800 (expandable to H: 25600) for stills and ISO 100–6400 (expandable to H: 12800) for videos that makes shooting possible in situations previously unthinkable without flash. The EOS Rebel SL1, with the DIGIC 5 Image Processor’s remarkable noise-reduction technology, performs brilliantly in low-light shooting. Used with one of Canon’s EF or EF-S lenses with Optical Image Stabilizer, the EOS Rebel SL1 can record beautiful images and video even when light sources are scarce.

DIGIC 5 Image Processor

The EOS Rebel SL1’s DIGIC 5 Image Processor works with the camera’s CMOS sensor to deliver images with incredible detail in more situations, without the need for artificial light sources. With the power of the DIGIC 5 Image Processor, the EOS Rebel SL1 can achieve higher ISO sensitivity, can shoot up to 4.0 fps continuously and can even perform advanced functions like displaying art filters in real time, new scene modes, lens correction and much more. The camera’s brilliant imaging core supercharges every facet of still and moving image capture.

* Among digital SLR cameras that use APS-C size equivalent sensors. As of March 1, 2013, based on Canon’s research.

Never Miss a Moment!

High-speed continuous shooting

The EOS Rebel SL1 can shoot up to 4.0 frames per second (fps) for up to approximately 7 consecutive RAW files or approximately 28 full-resolution JPEGs. Shooting at speeds of up to 1/4000 sec., the EOS Rebel SL1 can capture even rapidly unfolding scenes with ease.

True HD Performance, Rebel Simplicity.

EOS Rebel SL1
EOS Full HD Movie Mode with Movie Servo AF

The EOS Rebel SL1 offers easy-to-use, professional video capture without compromise. Capable of shooting in a number of recording sizes and frame rates, the EOS Rebel SL1 offers outstanding video capturing performance, quality and simplicity. The EOS Rebel SL1 enables easy manual control of exposure, focus and Live View features, even in-camera editing! Movie Servo AF allows continuous autofocus tracking of moving subjects while recording video. When shooting video with one of Canon’s STM lenses, Movie Servo AF takes advantage of the lens’ stepping motor for smooth and quiet continuous AF. With an STM lens attached, the EOS Rebel SL1 meets high standards for SLR moviemaking performance!

Resolution & Recording Sizes Frame Rates
Full HD
1920 x 1080
16:9 format
30 fps (29.97)
25 fps – PAL standard
24 fps (23.976)
1280 x 720
16:9 format
60 fps (59.94)
50 fps – PAL standard
Standard Definition (SD)
640 x 480
30 fps (29.97)
25 fps – PAL standard
Built-in monaural microphone, manual audio level adjustment

The EOS Rebel SL1 has an internal monaural microphone for audio capture and a wind filter feature to reduce wind noise when shooting outdoors. Sound recording levels can be manually (up to 64 different levels) or automatically controlled. A built-in attenuator is also provided to reduce audio clipping. For more advanced audio recording, the EOS Rebel SL1 is compatible with many third-party electret condenser microphones with a 3.5mm diameter plug.

Video Snapshot

With the Video Snapshot feature, the EOS Rebel SL1 can capture short video clips (of 2, 4 or 8 seconds) then combine them automatically into one video file as a snapshot or highlights “album”. With no editing needed after shooting, the compiled video is perfect for sharing online or displaying directly on an HDTV via the camera’s HDMI port. Additionally, stills can be recorded during video shooting simply by pressing the camera’s shutter button. During playback, video clips in an album can be reordered or deleted.

Multi-touch, Brilliant View.

Touch Screen Wide 3.0-inch Clear View LCD monitor II with multi-touch operation and Touch AF

Using capacitive touch screen technology similar to today’s popular mobile devices, the EOS Rebel SL1’s gorgeous LCD monitor is touch-sensitive, delivering intuitive operation with ease. Two-finger touch gestures can be used for zooming or changing images. Menu and quick control settings can be accessed, and focus point and shutter release can be activated with the touch of a fingertip using Touch AF. Displaying fine detail (at approximately 1.04 million dots), the camera’s Touch Screen Wide 3.0-inch Clear View LCD monitor II is perfect for composing and reviewing images. Thanks to a new, solid construction between the monitor’s resin-coated cover and the liquid crystal display, reflections are minimized, and the display can be viewed, without glare, from any number of angles. The LCD’s surface is treated with a smudge-resistant coating to minimize fingerprints and to maintain a bright, clear image display.

Optical Viewfinder with approx. 0.87x magnification

In addition to its amazing multi-touch screen, the EOS Rebel SL1 also sports an Optical Viewfinder, ideal for composing shots when shooting in bright conditions or capturing the moment as it unfolds. Shooting with the Optical Viewfinder also ensures steadier images. The viewfinder displays exposure, AF, flash, plus other relevant image information right along with the image. The 0.87x magnification factor ensures that subjects are easier to find and track.

Innovative AF Solutions for Consistently Excellent Performance.

9-point AF system (including a high-precision dual-cross f/2.8 center point)

When shooting through the viewfinder, the EOS Rebel SL1 has exceptional autofocus with a sophisticated 9-point AF system, including a high-precision dual-cross f/2.8 center point, for accurate focus whether the camera is oriented in portrait or landscape position. A proven AI Servo AF system achieves and maintains consistent focus with an exceptional degree of reliability.

EOS Rebel SL1

Canon’s amazing Hybrid CMOS AF System is perfect for shooting photos and video in Live View. Combining two different kinds of AF – phase and contrast detection – and aided by pixels on the camera’s CMOS sensor that assist in predicting subject location, continuous focus tracking becomes faster and more accurate than ever before in Live View. And with the EOS Rebel SL1 you’ll get Hybrid CMOS AF II, which provides the same fantastic performance as the original but boasts an increased AF area that covers approximately 80% of the sensor for easier composition. This performance is enhanced further by Canon’s line of STM lenses, which provide smooth and quiet operation.

Complex Functions Made Simple.

Scene Intelligent Auto mode

The EOS Rebel SL1 features Scene Intelligent Auto mode, which incorporates a number of Canon technologies to deliver the best possible exposure. Joining Picture Style Auto, Automatic Lighting Optimizer, Automatic White Balance, Autofocus, and Automatic Exposure, Scene Intelligent Auto mode analyzes the image, accounting for faces, colors, brightness, moving objects, contrast, even whether the camera is handheld or on a tripod, and then chooses the exposure and enhancements that bring out the best in any scene or situation. Users without extensive photography knowledge or experience will not need to puzzle over settings; the Scene Intelligent Auto mode simplifies DSLR image capture so photographers can simply concentrate on composing images.

Creative Features, Amazing Images.

Advanced Creative Filters that can be displayed in real time during Live View shooting

Adding to the fun and creative possibilities available with the EOS Rebel SL1, the camera offers seven different creative filters for still images: Art Bold Effect, Water Painting Effect, Miniature Effect, Fisheye Effect, Grainy B/W, Soft Focus and Toy Camera Effect. Each effect can be applied in three different levels (low, standard and strong), and easily previewed on the LCD panel during Live View shooting. The EOS Rebel SL1 also features the new Miniature Effect for Movies. You will be amazed and delighted by the artistry that these creative filters will allow you to create.

Effect Shot mode and Background Simulation

Among the dynamic new features designed to make creative photography both intuitive and fun, the EOS Rebel SL1 has Background Simulation, which makes it easy for beginners to achieve dramatic blurred or sharpened backgrounds. The result is previewed on the LCD screen, so users can see in advance how their final image will look. Plus, a new Effect Shot feature automatically captures two shots simultaneously: one without effect, and one with a preselected Picture Style or Creative Filter effect. This makes it easy to see how each effect changes the photo without compromising the original image. Effect Shot mode is available in both Live View and viewfinder-based shooting, and can easily be viewed immediately in playback mode.

The Right Mode for the Right Situation.

EOS Rebel SL1
New Special Scene Modes: Kids, Food and Candlelight

The EOS Rebel SL1 has three new easily accessible scene modes to capture the perfect image the first time. Kids mode ensures high-speed shutter priority, focus tracking, healthy skin tones and flash when needed; Food mode delivers bright, vivid food images, limits flash by default and limits the red tint often associated with “restaurant plate” photography. With Candlelight mode, the camera will take care not to blow out the scene, maintaining the glow of the candle, leaving the flash off and reducing exposure fluctuation.

Flexible and Reliable Recording.

Compatibility with SD/SDHC/SDXC memory cards, including Ultra High Speed cards

The EOS Rebel SL1 uses popular SD, SDHC, SDXC, and is even compatible with Ultra High Speed (UHS-I), memory cards. Compact and available in large capacities, SD, SDHC and SDXC memory cards are a perfect complement to the camera’s compact design.

Additionally, the EOS Rebel SL1 is compatible with Eye-Fi* SD cards, which are outfitted with a Wi-Fi® transmitter (IEEE 802.11b/g) and an internal antenna for wireless, high-speed transfer of images. With an Eye-Fi card installed, the EOS Rebel SL1 can display the Eye-Fi’s connection status and error notes with ease, for fully functional wireless uploading of images directly from the camera.

* Canon cameras are not guaranteed to support Eye-Fi card functions, including wireless transfer. In case of an issue with the Eye-Fi card, please consult with the card manufacturer. The use of Eye-Fi cards may not be available outside the United States and Canada; please contact the card manufacturer for territory availability.

A Comprehensive System of Optics Perfect For Video and Stills.

Compatible with EF and EF-S lenses

The EOS Rebel SL1 is compatible with all Canon lenses in the EF lineup, including compact and lightweight EF-S lenses, ranging from ultra-wide angle to super telephoto lenses and including the STM series, like the new EF-S 18–55mm f/3.5–5.6 IS STM, optimized for video shooting. Canon lenses employ advanced optical expertise and micron-precision engineering to deliver outstanding performance and deliver beautiful results. Special technologies like Canon’s Optical Image Stabilizer help to minimize the effect of camera shake, effectively adding up to four stops of light; STM lenses even feature a stepping motor for smooth and quiet continuous autofocus while capturing video. With an array of lenses perfect for travel, sports, still life and everything in between, photographers can truly maximize the quality and performance of their EOS Rebel SL1.

More Features for Increased Versatility.

Lens Aberration Correction

The EOS Rebel SL1 features lens correction tools that compensate for lens characteristics that can affect overall image quality. The EOS Rebel SL1’s lens peripheral illumination correction feature corrects light falloff in the corner of the image according to the characteristics of the lens being used. It even has correction data for a number of popular lenses stored in its memory. With the EOS Rebel SL1’s chromatic aberration correction tool, distracting color fringing can be corrected at the time of shooting.

Feature Guide

To help explain the specific function of features found on the EOS Rebel SL1, the Feature Guide displays a simple description helpful in determining the applicability for the situation at hand. It is displayed in each shooting mode, during mode dial operations, and for Quick Control screen functions. It appears automatically when a function is selected – a lifesaver when trying to determine the best mode or function for the next picture. The feature guide works automatically by default, and can be disabled easily through the camera’s menu.

GPS Compatible

With the optional GPS Receiver GP-E2 attached to the hot shoe or the digital terminal, the EOS Rebel SL1 can record location, including latitude, longitude and altitude, and has the ability to track the trajectory of movement with its logging function. An electric compass records the camera’s orientation during each shot, and world time information is recorded through GPS syncing.

JPEG Resizing

To create images suitable for sharing by email or online, the EOS Rebel SL1 can resize JPEG files, in-camera, of varying pixels (aspect ratio cannot be changed, only the image size can be decreased) while leaving the original image untouched.

Photobook Set-up

Photographers can share their images in book form with the EOS Rebel SL1’s convenient Photobook Set-up feature. Users can easily choose specific images, images in a folder and even all images, then specify their sequence and layout. The results can be printed in book form with ease.

Image Rating

To help organize images recorded to the camera’s storage, the EOS Rebel SL1 makes it simple to rate individual images from one star to five. Therefore, image browsing, printing and slide shows can be based upon those ratings.


Eliminating the need to post-process in the computer, photographers can easily crop their photos right in the EOS Rebel SL1. Perfect for direct connection to a printer, or in situations when it wasn’t possible to zoom in enough with a zoom lens, cropping is a viable solution thanks to the camera’s excellent 18.0-megapixel resolution. Users can choose vertical or horizontal images, and 3:2, 4:3, 16:9, even 1:1 aspect ratios.

  • Compact and lightweight DSLR featuring a newly-developed 18.0 Megapixel CMOS (APS-C) sensor, ISO 100-12800 (expandable to H: 25600) for stills and ISO-6400 (expandable to H: 12800) for videos for shooting from bright to dim light, and high performance DIGIC 5 Image Processor for exceptional image quality and speed.
  • 9-point AF system (including a high-precision dual-cross f/2.8 center point) for exceptional autofocus performance when shooting with the viewfinder; new Hybrid CMOS AF II, which combines the advantages of high-speed phase-detection AF and high-precision contrast AF, provides a widened Hybrid CMOS AF focus area for increased autofocus speed and accuracy when shooting photos and movies in Live View.
  • High speed continuous shooting up to 4.0 fps allows you to capture all the action
  • EOS Full HD Movie mode with Movie Servo AF for continuous focus tracking of moving subjects, manual exposure control and multiple frame rates (1080: 30p (29.97) / 24p (23.976) / 25p, 720: 60p (59.94) / 50p, 480: 30p (29.97) / 25p), built-in monaural microphone, manual audio level adjustment, and Video Snapshot with editing for expanded movie shooting options.
  • Touch Screen Wide 3.0-inch Clear View LCD monitor II (approximately 1,040,000 dots) with smudge-resistant coating features multi-touch operation with direct access to functions for setting changes and Touch AF for an easy, intuitive experience and clear viewing when outdoors; an Optical Viewfinder with approx. 0.87x magnification makes subjects easier to see.

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Question by emsegele: What is an intelligent building infrastructure?What is taken onto consideration when designing?
I want to know more in depth about incorporating IT onto the things to be taken care.

Best answer:

Answer by dan_francisco
There are standards for this, notably the EIA standard (http://www.division17.net/TIA.asp) and a few commercial standards. Here is a common sense approach to the topic (http://www.jimhayes.com/uncleted/structed.html).

As a rule of thumb, I would allow for fiber optics in the risers and plan for gigabit ethernet to the offices. This way, people can use whatever routing and switching scheme they want and connect to your CAT6 wiring on the floor. Expect requests to run private CAT6 lengths down the risers too, for people who want to ensure a totally private interconnection. Don’t forget to leave room for UPS devices in those closets!

If the connections to the phone companies are in the basement, make sure there’s a nice clear path from the bottom of the riser to the DMZ room. That way people can connect to multiple carriers, or switch carriers easily.

Finally, find out which wireless service providers are in your area, and determine if you are willing to permit outside antennae for point-to-point wireless services, like satellite dishes, microwave repeaters, or line-of-sight (laser) connections between buildings.

Good luck!

Add your own answer in the comments!

Wooww, nice product! I want to share this product!

What customers say about Canon EOS Rebel SL1 18.0 MP CMOS Digital SLR with EF-S 18-55mm IS STM Lens?

  1. 350 of 361 people found the following review helpful
    4.0 out of 5 stars
    The most compact Rebel, but few small lens choices, May 4, 2013
    D. Alexander

    This review is from: Canon EOS Rebel SL1 18.0 MP CMOS Digital SLR with EF-S 18-55mm IS STM Lens (Electronics)

    This is a very compact DSLR similar in ability and layout to a Rebel T2i/T3i for stills. Enhanced autofocus has made it Canon’s best DSLR for point-and-shoot style movies. Paired with small primes, it makes for an exceedingly capable travel camera. Larger kits can make the T5i preferable. Smaller kits come more readily from mirrorless cameras with smaller senors.

    ==== Rebel T5i:
    18 MP
    5 fps
    9-point AF w/ 9 cross points
    Hybrid AF w/ 9% frame coverage
    1080p/30, 720p/60
    Articulating touchscreen
    Stereo mics
    13m flash range
    20 oz

    ==== Rebel SL1:
    + 14 oz, 30% smaller by volume
    + Hybrid AF w/ 64% frame coverage
    — 4 fps
    — fixed touchscreen
    — 9 point AF w/ 1 cross point
    — 9.4m flash range
    — mono mic


    * Size.

    This is the smallest DSLR from any make. It’s a whole size tier below the T5i and level with a number of mirrorless bodies. Whether that’s a worthwhile ergonomic compromise depends on the use case. With a small lens like a 40/2.8, the combined package reduces to prosumer point-and-shoot dimensions. Anything more ample (even the kit 18-55) and the bulk of the lens rapidly offsets the SL1’s space efficiency.

    In-hand, the SL1 is a fingertip camera. The palm of my large right hand doesn’t rest easily against the body without finger contortions, so support comes mostly from the left under the lens. It feels (and looks) lilliputian if you’re used to larger DSLRs, but that’s the only real adjustment; the button layout has no surprises relative to the T2/3/4/5i.

    * Single cross-point AF.

    First, context: Canon uses autofocus to differentiate between DSLRs. More expensive cameras tend to have ‘better’ autofocus. Precisely what that means, and whether it matters, depends on your requirements. With the addition of movie capability, we’ve got three parameters to consider: stills with static subjects, stills with movement, and movies with movement. A complicating factor is that performance depends greatly on whether you’re shooting through the viewfinder or from the rear LCD (“Live View”). Unlike point-and-shoot and mirrorless bodies, Canon DSLRs (and all others save Sony’s) have two entirely separate autofocus systems.

    When I talk about ‘phase-detect’ AF and ‘cross-points’, these are characteristics of the viewfinder AF system. The SL1’s phase-detect AF array has 9 points. Only the center point is a cross-point. Cross-points (shaped like a +) detect contrast in any orientation. The 8 outer points (shaped like lines) only see contrast that’s near perpendicular to them. The practical implication is that the T4i/T5i will be somewhat faster and more consistent with off-center compositions with wide-aperture lenses (e.g., 50/1.8) and motion-tracking.

    Both systems outperform the contrast-detect focus in any current mirrorless body with motion. You focus through an optical viewfinder that’ll never wash out, show noise in dim lighting, lag the action, or smear colors. In exchange, you lose the clever information overlays of electronic viewfinders (EVF), the face tracking that’s become a part of many contrast-detect systems, and the precise matching between what the EVF shows and the camera records.

    Here’s the phase-detect breakdown for this body:

    VF, stills, static: fast and accurate in frame-center
    VF, stills, movement: moderately fast and accurate in frame-center
    VF, movies, any subject: not possible

    This is the same AF array as in the T2i/T3i. If you were happy with those bodies, you’ll be equally so with this one.

    * Hybrid AF II.

    In the T3i and prior, Live View focusing from the rear LCD was achieved by contrast-detect. This method is vastly slower than phase-detect and, in Canon’s DSLR implementation, isn’t capable of tracking motion in movies. It’s reasonably quick and quite accurate with stills. It isn’t possible to use the main phase-detect array without interrupting Live View because a mirror gets in the way.

    The T4i/T5i added a second phase-detect system integrated into the imaging sensor itself that boosted acquisition speed and improved motion tracking to mediocre/adequate levels, but only for the center 9% of the frame. The SL1 expands this system to 64% frame coverage. The result is significantly more confidence with continuous autofocus in movies. With off-center subjects, it hunts (bringing the scene in and out of focus) much less than the T4i/T5i.

    Here’s the contrast-detect breakdown:

    LV, stills, static: reasonably fast and accurate over the whole frame
    LV, stills, movement: slow, accurate when it can keep up
    LV, movies, static: reasonably fast, occasional hunting
    LV, movies, movement: slow, accurate when it can keep up

    Motion tracking is still short of exceptional. STM lenses (which use a…

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  2. 187 of 197 people found the following review helpful
    5.0 out of 5 stars
    Best combination of image quality, viewfinder, and size, May 3, 2013
    Doctor.Generosity (New England) –
    (TOP 1000 REVIEWER)

    Amazon Verified Purchase(What’s this?)
    This review is from: Canon EOS Rebel SL1 18.0 MP CMOS Digital SLR with EF-S 18-55mm IS STM Lens (Electronics)

    I am impressed with my new Canon SL1 with the 18-55 kit lens. As a long time dedicated amateur photographer with a shelf full of other equipment, including fancier and much more expensive equipment, this will now be the one I take with me and use most of the time. Here’s why:

    * Incredibly small and incredibly light. The biggest single reason for the recent spate of mirrorless cameras (Sony NEX, Fujifilm X) is now negated! I am sitting here looking at the SL1 next to my Fujifilm XE-1 with a comparable 18-55 zoom lens. The SL1 is lighter and smaller than the Fuji mirrorless camera with its electronic viewfinder. The SL1 optical viewfinder, while more compressed than the one in a large high-end DSLR, to my eyes is still far superior to any electronic viewfinder, which is like looking at a fuzzy little television from the 1960’s. Canon appears to have achieved the small size by repackaging the sensor and shutter; impressive engineering and I expect that Nikon and others will have to follow suit. Let’s hope we will now see a new generation of tiny DSLRs.

    *Image quality: OK you say, it’s small. So what am I giving up? Answer is – not really much. Image quality is excellent. The electronics of sensors have advanced rapidly in the last few years and the newest entry level camera is going to perform better than the high end product you bought two years ago. And new half frame sensors may be comparable to full frame sensors from a few years back. Also, the entry level DSLR market is the most competitive. Nikon (D3200) and Canon (SL1 or T5) are forced to give you more for your money than with high end full frame cameras. The SL1 is a bargain. Yes, you can get a marginal improvement in images and controls by going up market, but you will pay 3X as much in dollars, and in weight, and in volume. The cost of any technology is usually on a log scale; 90% of state of the art costs X and 95% costs 3X and 99% costs 9X. It makes no sense to ride this curve unless you do very specialized or commercial photography. For most of us, the most important thing is whether we have the camera with us when the photo opp comes up.

    *Comparison. The images coming out of this Canon SL1 are lovely, contrasty and with excellent colors. I compared directly with my full frame Nikon D600 and also Sony NEX 6 at ISO 400. Results; unless you are a fanatical pixel peeper, they are all in the same ballpark. Only by blowing up the central 10% to fill the computer screen can one begin to see significant differences. If you do make this extreme blowup, the full frame D600 had the cleanest, lowest noise, and finest detail. But then the D600 costs 4X the SL1 and weighs more than twice as much! And anyway, does it really matter if some other sensor is s-l-i-g-h-t-l-y better? No it doesn’t. Having the ‘best’ equipment is just not the determining factor in capturing beautiful photos that I will take pride in years down the road. The SL1 gives me 90% of the quality I will get from any camera anywhere at 1/4 the cost of a high end DSLR. The main difference is that the viewfinder is cramped and the settings are in menus rather than dedicated buttons. Big deal. You can still do any creative thing you want and win photo contests with this camera.

    *How about the kit lens?: Just fine. By profession I am interested in the details of lens design and I admire beautiful finely crafted Zeiss lenses just as much as as the next fanatic. But as a photographer I can tell you that for actually capturing once-in-a-lifetime handheld photo opportunities with a sharp high quality image, there are two things that matter much more than ultimate optical quality: a) image stabilization and b) zoom so you can scale the desired image to fill your sensor. Are high quality prime lenses “better?” In practical terms, usually not. For most photography, they will not produce a more detailed image unless your camera is on a tripod and the scene just happens to be matched to the focal length. For general opportunistic or travel photography, squeezing out the last iota of lens quality is close to irrelevant. This is especially so these days when the camera JPG engine corrects typical lens defects such as distortion and chromatic aberration automatically. Modern lenses no longer have to be perfect in the glass; they all end up pretty much alike after the software corrections are applied. This is also why spending hours diddling around with RAW images in Photoshop no longer makes much sense for most of us – the JPEG engine has been programmed to optimize the specific lens – and it will take much time and skill to equal or improve on this on one’s own. Today, post processing is not optional so JPEG is how cameras should be judged.

    Image stabilization in particular has a lot more to do with sharpness for handheld photos then ultimate lens quality. The stabilization on this Canon lens works fine, showing its best advantage with shutter speeds…

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  3. 103 of 115 people found the following review helpful
    5.0 out of 5 stars
    Small but very capable, May 9, 2013

    This review is from: Canon EOS Rebel SL1 18.0 MP CMOS Digital SLR with EF-S 18-55mm IS STM Lens (Electronics)

    I’ve had several smaller cameras like the Canon G11. All had one fault that troubled me. They could not shoot quickly when a grand child photo op materialized. Setting up for a particular shooting situation was far too time consuming, but more importantly, there was too much delay once the shutter was depressed. When shooting flash with red-eye protection turned on the delay is worse yet. The SL1 is slowed a bit with red-eye on but not much and for all other shooting is as fast as other Canon DSLRs. Shots using available light are near instantaneous under normal lighting as is typical of Canon DSLRS and as is essential for shooting pets and grand kids. When shooting available light in low-light conditions the SL1 can take a second to focus but is still DSLR-quick, much quicker than lesser camera types.

    Another issue I have with smaller cameras is a secure and comfortable grip. While the SL1 is dimunitive by SLR standards, it still fills the hands comfortably and doesn’t feel like it’s going to slip through your fingers as a Digital Elph or an S100 or S110 does. My right hand fingers do bottom against the front of the body (I’m tall with longish fingers) but not problematically so. The thumb rest on the back of the body is excellent; as good or better than any DSLR I’ve had before. The grip is great in spite of the small body and allows secure one-handed shooting. And, of course, the light weight means many shots before fatigue sets in.

    As with any small camera with a large sensor, physics prevents an equally compact lens though the 18-55 kit lens is surprisingly compact and light. With the standard two-handed grip with the left hand underneath and the right hand up the right side, the zoom and focus rings are as easily accessed as on any larger dslr and lens and sure beat the rubbery electric zoom controls on more compact cameras.

    While the body is small, seemingly half the size of a 5D or 50D or 60D or 7D, the controls are pretty much as accessible as those on these larger cameras and far better than on an more compact camera. I wasn’t excited about the touch screen, being adicted to the Canon Q screen, but it’s a winner. I use it more on every outing. I thought smudges from use of the touch screen would be a problem but that has not been the case even with a protective film applied. The LCD is very bright. I’ve only had to set it to full brightness for use in ver y bright sunlight.

    If you are a Canon shooter now, you will be up to speed on this camera in an hour or two without ever cracking the manual (mine is still sealed). If you are new to DSLRs, the SL1 is probably as good a place to start as any.

    I won’t get into a lot of the technical details since they are well covered by others. It seems to do at least as well as any APS-C camera I’ve had. Suffice it to say, feature-wise, the SL1 has just about everything you can get in the Rebel line except the weight and size and the flip-out LCD. For me it’s the perfect second camera for backup, to carry on long hikes, for use at the grand kids birthday parties and soccer matches, and for casual walk-around duty. I’ll rarely be without it. My full frame DSLR will now be reserved for serious landscape and portrait shooting.

    UPDATE ………..

    It’s been about two months now and I’m over 800 shots on the SL1. I like it better every time I pick it up in part because it lifts up so easily! I’ve now shot a five day vacation (one that did not justify taking the 5DIII) and a granddaughter’s birthday party as well as a few family outings and some construction going on across the street. And lots of experimenting in the back yard. Here are my key findings:

    The dedicated ISO button is a blessing. Because one runs into noise issues more often in a smaller sensor (compared to a full frame sensor in this case) keeping an eye on ISO is a good idea. Mostly I put ISO on auto and set it for a maximum of 3200 and shoot Av and the camera does a good job of balancing ISO and shooting speed, dropping below about 1/60 only when ISO would otherwise go above 3200. When a special situation arises such as when I have something to brace against the ISO button makes it very easy to force the ISO down for that shot.

    The Av +/- button is also handy. It lets you easily adjust Aperture and/or compensation in the Quick menu, surely the two most frequently accessed adjustments.

    At ISO 3200 noise is hardly a problem for jpeg shooters. RAW shooters used to a 5DII or 5DIII and using the SL1 as a “backup” or for less demanding outings may be shocked at the noise. Even though it looms large compared to the full frame cameras, I don’t think it’s any worse than canon’s other 18 MP bodies (60D, 7D, other Rebels). But, higher ISO images from the 5DII and 5DIII that did not require noise correction will typically require some color and luminance noise correction if taken with the…

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